Update


I haven’t blogged for a while. I think it’s because I’ve been processing the shock that I actually very much like the new Sarah Blasko album. As much as I’ve always thought (assumed?) that she’s annoying and affected, my god I relate to her lyrics and her sentiment. Am I affected? Is this why I’ve loathed her so? Who knows, but the Peter Bjorn and John production works, and I think albums about tortured separations from long-term creative/romantic partners are generally creatively fertile (not that I expect such self-sacrifice from my artists).

So what else has been going on musically? Had the pleasure of watching the amazing Aimee Mann at the Palais (but pointedly missed her support, Ben Lee). And she was brilliant. So in control, her voice in fine form, funny, jumping from request to request, ignoring her set-list for the last 2/3 of the show. I find her music quite unique in how it skips between dark humour to (once again) desolation from line to line, yet somehow still makes sense as a whole. Although only 28, 31 Today is, once again, devastating.

What else? The new Natalie Imbruglia album shows promise, although not sure about her strategy of releasing a single but releasing a clip for a song which is not the single. Why do mainstream artists go independent then do stupid decadent things like this? For example, Darren Hayes’ 2-disc opus which I’m sure even Savage Garden royalties are struggling to pay for. And I’m also increasingly respecting Tina Arena, which I will blog about soon. This is a confronting topic, but Just Me, aside form it’s awful first two singles, is really a very fine album. I’m sure there’s more thing’s I’ve missed (the implosion of Mariah Carey, Heidi Montag’s ‘live’ performance debut, Madonna’s sleazy Celebration clip), but I will attend to these in time.

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